Saturday, December 31, 2011

Mackie MR5MK2 High Resolution Active Studio Monitor Pair New

Mackie MR5MK2 High Resolution Active Studio Monitor Pair New Review



Mackie MR5MK2 High Resolution Active Studio Monitor Pair New Feature

  • Bring you professional, accurate monitoring yet takes up a surprisingly small amount of real estate on your desktop
  • Designed to pump out high volume when needed but still offer a reliable representation of your mix at low volumes
  • Magnetic shielding for use in close proximity to your computer monitor,
  • Adjustable HF and LF acoustic controls for precise tailoring to your mixing space.

Specifications

High-resolution, powered studio reference monitors
Ultra low-distortion 5.25? LF drivers

Long voice coil winding length allows high output with controlled low frequency performance
Optimally sized inverted dust cap stiffens cone for smooth response
Hyperbolic curved cone profile reduces severe cone resonances
High-output 1? soft dome tweeters

Neodymium magnet minimizes distortion and handles fast transients in dynamic source material
Ferro-fluid cooling protects against power compression
Acoustic absorption backing material provides smooth, reflection-free performance
Precision Class A/B amplification with Active protection circuits: 55W for LF / 30W for HF
Optimally sized custom waveguide provides seamless transition of HF and LF Minimum-diffraction molded baffle imparts superior stereo imaging and depth
Adjustable HF and LF acoustic controls offer sonic tailoring to your mixing space
Flexible inputs include XLR, TRS and RCA connections
Magnetic shielding allows safe placement near computers and video monitors Precisely tuned to work interchangeably with other MRmk2 monitors

This Listing and Price is for 2 Brand New MR5MK2 Studio Monitors



Friday, December 30, 2011

Mackie MR5 Reference Monitor (Single Speaker)

Mackie MR5 Reference Monitor (Single Speaker) Review



Mackie MR5 Reference Monitor (Single Speaker) Feature

  • Minimum-diffraction molded baffle for smooth, wide sweet zone
  • Precision Class A/B amplifiers with Active protection circuits: 55W for LF / 30W for HF
  • HF and LF acoustic controls for room correction
  • Balanced XLR, TRS and unbalanced RCA inputs
  • Ultra-low distortion 5.25-inch steel frame LF transducer, Waveguide loaded 1-inch high-resolution HF transducer
Created by the same audio gurus who brought you the legendary HR Series, the MR5 Mackie Reference Monitor is the perfect solution for those ready to step up to a monitoring system with truly pro sound. The MR5 delivers everything you need for critical monitoring in your home studio, multimedia or home theatre system. With its Active bi-amplified Class A/B architecture (55W LF / 30W HF), wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity. Thanks to its unbelievable sound—and price—the MR5 monitor stands alone in its class.


Thursday, December 29, 2011

Mackie HD1531 1800-Watt 15" 3-Way High-Definition Powered Loudspeaker

Mackie HD1531 1800-Watt 15" 3-Way High-Definition Powered Loudspeaker Review



Mackie HD1531 1800-Watt 15" 3-Way High-Definition Powered Loudspeaker Feature

  • 1800w Peak System Power
  • DSP Powered HD Sound
  • Patented Acoustic Correction Algorithms
  • 3-Band User EQ
  • Pole Mountable
The HD1531 3-Way High-Definition Powered Loudspeaker delivers class-leading 1800W of peak system power via ultra-efficient Class-D Fast Recovery™ amplification. The precision crossover, phase and driver time alignment circuitry and revolutionary patented acoustic correction algorithms provide true high-definition sound. Custom transducers and tuning by EAW with pole-mountable, all-wood cabinet construction complete this ultra-compact, high-power PA solution.


Wednesday, December 28, 2011

Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs

Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs Review



Behringer Xenyx 802 Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs Feature

  • Premium ultra low-noise, high headroom analog mixer
  • 2 state-of-the-art XENYX Mic Preamps comparable to standalone boutique preamps
  • Neo-classic ''British'' 3-band EQs for warm and musical sound
  • 1 post fader FX send per channel for external FX devices
  • 1 stereo aux return for FX applications or as separate stereo input
Need to accommodate a vocal duo in a hurry? Got a small choir in need of a little projection? The BEHRINGER 802 mixer has everything you need to give a small multi-vocal performance a robust sound, offering plenty of versatility at a price you can afford.

Everything you need to give a small multi-vocal performance a robust sound. Click to enlarge.

Two state-of-the-art XENYX Mic Preamps.

"British" 3-band EQs for warm and musical sound.

A Bit of Input
The 8-input, 2-bus XENYX 802 has two XENYX mic preamps with +48 V phantom power, making it possible to use two dynamic or condenser microphones. You can use the 802's effects send and return jacks to hook up to an external effects processor.

Play music between sets via the RCA CD/Tape inputs (assignable to main mix or control room/phones outputs) and record your performance to an outboard recording device via the RCA outputs.

XENYX Preamps
The microphone channels feature high-end XENYX preamps that compare well with costly outboard preamps in terms of sound quality and dynamics, and boast the following features:

  • 130 dB dynamic range for plenty of headroom
  • A bandwidth ranging from below 10 Hz to over 200 kHz for nuanced reproduction
  • Low-noise, distortion-free circuitry for a transparent signal
  • Perfect for most any mic, with up to 60 dB of gain and a +48 volt phantom power supply

"British EQ"
The equalizers used for the XENYX series are based on the legendary circuitry of top-notch consoles made in Britain, which are renowned throughout the world for their warm and musical sound character. Even with extreme gain settings, these equalizers provide outstanding audio.

Small Wonder
Weighing in at just 2.2 pounds, the XENYX 802 is the portable, practical way to turn a small performance with multiple vocalists into a sonic gem. Choirs, folk duos, coffee shops and karaoke lounges agree the XENYX 802 packs superior sound into small places.

What's in the Box
Behringer 802 8-Input Mixer, Power Supply, User's Manual The Behringer Xenyx 802 is a Premium 8-Input 2-Bus Mixer with Xenyx Mic Preamps and British EQs. With close to one million units sold, the Behringer UB mixer series has become one of the most popular mixer series of all times that has no doubt connected musicians all over the world. XENYX mixers will take you to an even higher plane. The Xenyx 802 has 8 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility. The Xenyx Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Behringer's neo-classic British EQ brings back the warmth and musicality of those 60s and 70s mega-console desks that made music history. XENYX : Connect to Premium Analog Sound and Streaming Digital Technology Getting all the gear you need to complete your PA system can be a chore. AMS offers complete PA packages that take the guesswork out, and make assembling the perfect sound system easy - while saving you money. Click Here to see all the details. Behringer XENYX 802 Features Premium ultra low-noise, high headroom analog mixer 2 state-of-the-art Xenyx Mic Preamps comparable to stand-alone boutique preamps Neo-classic British 3-band EQs for warm and musical sound 1 post fader FX send per channel for external FX devices 1 stereo aux return for FX applications or as separate stereo input Main mix outputs plus separate control room, phones and stereo CD/tape outputs CD/tape inputs assignable to main mix or control room/phones outputs High-quality components and exceptionally rugged construction ensure long life Conceived and designed by Behringer Germany


Tuesday, December 27, 2011

Mackie ProFX12 12-Channel Compact Effects Mixer Bundle with 20-Foot XLR Cable, 20-Foot Instrument Cable, Headphones, and Polishing Cloth

Mackie ProFX12 12-Channel Compact Effects Mixer Bundle with 20-Foot XLR Cable, 20-Foot Instrument Cable, Headphones, and Polishing Cloth Review



Mackie ProFX12 12-Channel Compact Effects Mixer Bundle with 20-Foot XLR Cable, 20-Foot Instrument Cable, Headphones, and Polishing Cloth Feature

  • Professional 12-channel compact Mixer with onboard effects and USB I/O
  • Six low-noise, high-headroom Mackie mic preamps with easy LED metering
  • 32-bit RMFX processor with 16 Gig-Ready reverbs, choruses and delays
  • Precision seven-band graphic EQ for tuning Mains or Monitors
  • USB I/O for recording shows and music playback via Mac or PC
The ProFX12 is the perfect choice for smaller performing acts, solo performers or for small venues that don't have the budget or space for a ton of outboard gear. The ProFX12 has everything needed to make your gig sound great and is really easy to operate. Plus, USB I/O lets you record the show or stream music straight from a laptop. The "Pro" in ProFX stands for Pro. Professional tools, rugged build quality, small footprint...everything you need.

The ProFX12 is loaded with six Mackie high-headroom, low-noise mic preamps, 3-band EQ, a built-in DI for direct connection of a guitar or bass, integrated "Gig-Ready" effects, precision 7-band GEQ and more. The ProFX12 has all the right tools, each and every one designed to sound great. Plus, everything is housed in an ultra-tough enclosure with additional impact-resistant sidecheeks, protecting your investment from the rigors of the road.

Live Sound Toolbox
Click for larger view of the EqualizerSmaller performing acts typically play in places that may not have an engineer on hand. In fact, someone from the band might have double-duty as "The Sound Guy" for the group. If you are reading this, chances are that's you. Let us pander to your obviously higher intellect... you are a professional and you need the tools to get the job done perfectly each and every show. High-headroom mic preamps with great-sounding effects, channel EQ, a built-in DI, plus precision GEQ to tune-up the room or monitor mix. Sounds good, right? The ProFX12 comes with all these features -- it is truly the perfect live sound toolbox.

"Gig-Ready" RMFX Effects
Click for larger view of RMFXThe all-new RMFX (Running Man FX) 32-bit effects processor brings "Gig Ready," useable effects to your mixes. Why scroll through hundreds of bizarre effects, like "ghost ambience?" Yeah, like anyone even knows what that means. Or how about win


Monday, December 26, 2011

Mackie CFX 12-mkII 12-Ch. Compact SR Mixer w/Effects

Mackie CFX 12-mkII 12-Ch. Compact SR Mixer w/Effects Review



Mackie CFX 12-mkII 12-Ch. Compact SR Mixer w/Effects Feature

  • All CFXmkII mic/line channels have unbalanced inserts and input trim controls with individual Zero Level LEDs
  • 3-band EQ with swept midrange
  • 100Hz low-cut filters
  • Each channel strip has a 60mm long-taper fader, one external, and one internal/external effects send;
  • plus two aux sends, pan, mute, solo (PFL), and bus assigns.
? High-headroom mic preamps with RF rejection


Saturday, December 24, 2011

Mackie CFX 16-mkII 16-Ch. Compact SR Mixer w/Effects

Mackie CFX 16-mkII 16-Ch. Compact SR Mixer w/Effects Review



Mackie CFX 16-mkII 16-Ch. Compact SR Mixer w/Effects Feature

  • All CFXmkII mic/line channels have unbalanced inserts and input trim controls with individual Zero Level LEDs
  • 3-band EQ with swept midrange
  • 100Hz low-cut filters
  • Each channel strip has a 60mm long-taper fader, one external, and one internal/external effects send
esigned to take the hassle out of mixing live performances, Mackie's CFX.mkII Series compact live sound mixers feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC™ 32-bit digital effects—eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX.mkII mixers are part of a complete, easy-to-use Mackie sound system.

What's new in CFX.mkII? New impact-resisting rubber side panels for better durability. New ergonomic updates including sturdier, more precise Onyx Series knobs. And new graphics, for better visibility in less-than-ideal lighting conditions. Best of all, the new CFX.mkII mixers come at a suggested retail price significantly lower than the original CFX Series.

The Features You Need to Get the Job Done
All CFX.mkII mic/line channels feature genuine Mackie mic preamps, renowned for their high-headroom, low-noise operation. Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external, and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback supression). All three models allow two separate stage monitor mixes to be created with their own effects levels. See how its done here. (JPG or PDF)

Sweet touches abound on the CFX.mkII Series — like a simple, yet utterly handy Break Switch, that lets you mute all the channels, and instantly play any souce you've plugged into the Tape inputs. (Perfect for those moments when you have to take care of business offstage, and don't want some overzealous fan grabbing a mic to belt out "Free Bird.")

Not Just Any Old Effects
Thanks to our massive digital R&D efforts of the past seven years, we've developed sophisticated 32-bit digital effects that rival dedicated outboard processors. Our EMAC effects sound clean and realistic — especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market. Read more.

Tough Enough for Live
Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.

Features

  • High-headroom mic preamps with RF rejection
  • 16 channels (12 mic/line mono, and 2 stereo line channels)
  • 32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign
  • 2 Pre/Post Aux sends and internal/external FX level sends on each channel
  • 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
  • 4-band EQ on stereo line channels
  • Pan, Mute, PFL solo on each channel
  • Inserts and 100Hz low-cut filters on all mic/line channels
  • Subwoofer output from built-in 18dB/oct. 75Hz crossover
  • Ingenious BREAK switch
  • Headphone output with level control
  • Tape/CD inputs with level control assignable to Main Mix via Break switch
  • Logarithmic taper 60mm faders
  • 48V phantom power
  • 12V BNC lamp jack

? High-headroom mic preamps with RF rejection


Friday, December 23, 2011

Mackie MR8 Reference Monitor (Single Speaker)

Mackie MR8 Reference Monitor (Single Speaker) Review



Mackie MR8 Reference Monitor (Single Speaker) Feature

  • 16 Channels (12 mic/line mono, and 2 stereo line channels)
  • 32-Bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-Band stereo graphic equalizer
When you’re ready to make the switch to pro studio monitors, there are many things you need to consider. For instance, it’s up to you to create a mix that works on a variety of speakers—one that translates to boomboxes, home and car stereos, even headphones and portable music players. So you need monitors that deliver a neutral starting point, and sound that is clear across the frequency spectrum. You also want monitors with consistent performance, so whether you’re on axis or off, cranking ’em up or turning ’em down low, what you’re hearing is accurate. And you want all this at a reasonable price.

Mackie MR8 and MR5 Studio Monitors deliver truly professional quality and everything you need for critical monitoring—at a price that’s unbelievably affordable. Wide, even dispersion means a broad sweet spot, minimizing funny dips or peaks in frequency response when you move off axis. You get superior bass extension—tight and free from distortion—so your lows pack just the right amount of punch. And to ensure the best sound possible for your setup, the MR Series monitors feature acoustic controls so you can tune them to fit your room. With their Active bi-amplified architecture, wide dispersion, ultra-flat frequency response and outstanding bass performance, you get superior imaging with impeccable clarity, for a truly inspirational, non-fatiguing monitoring experience.

Our MR Series monitors achieve their transparent sound quality thanks to these key design elements:

BaffleMinimum-Diffraction Molded Baffle: When it comes to baffle design, shape matters; it plays a role in how sound waves travel. Our baffle is precisely molded to minimize diffraction, so sound waves radiate smoothly, and are dispersed optimally. Our precision waveguide is designed to ensure broad, even dispersion, and a smooth transition between highs and lows. The result is a crystal clear image of your mix, with an ultra-wide, even sweet spot. Whether you’re in mix position or not, on axis or off, you’ll always hear an accurate representation of your mix.

AmplifierAmplifier Design: Amplifiers are the power behind a monitor’s sound, but they can also color it. Unlike with passive monitors, our amplifiers are precisely matched to the monitor design. Featuring our proven Class A/B architecture, the MR Monitors’ amplifiers are meticulously tuned to deliver ultra-flat frequency response, so the sound remains neutral. To compensate for room characteristics, acoustic controls allow you to adjust High Frequency and Low Frequency settings (+/-2dB). Balanced inputs allow you to get the best signal possible, but the option of unbalanced inputs mean you can connect easily to any source. And MR Monitors deliver enough power to handle the toughest source material, at sound levels beyond sane people’s requirements.

Cabinet: A speaker’s cabinet is more than just an enclosure—it’s another component that affects the overall quality and character of the sound. Our cabinet features a rear port, carefully tuned to deliver superior bass performance with no audible vent noise. Because air passes through the precisely engineered curved port easily, there is no distortion, and no build-up of pressure within the cabinet that could affect driver movement. The rigidity of the cabinet’s precision-braced MDF construction also prevents vibration, meaning your sound is always free from unwanted resonance.

WooferTransducers: Transducers are responsible for converting your electrical signal into sound, so consistent, unwavering performance is a must if you want sonic clarity. We specifically create our ultra-low distortion steel frame woofers and waveguide-loaded silk dome tweeters to work perfectly in concert with all the components in each MR monitor. You get a precisely tuned monitor that performs with impeccable consistency.

Applications
MR Series Monitors are ideal for a variety of applications. Use the MRs to empower your mixes in the studio, or to add pro sound to your multimedia, gaming or home theatre system. You can even use them for a great-sounding home DJ rig. The MR5 and MR8 Monitors share the same design, so they function great together, too, making them optimal for multiple monitor setups—just add a Big Knob —as well as surround systems. For any applications where high quality sound and classic good looks are required, MR monitors are the perfect fit.

Our Reputation Speaks for Itself
We don’t mean to toot our own horn, but there’s a reason serious pros love Mackie gear. With every product we release into the wild—from monitors to loudspeakers to mixers—we up the ante on performance, reliability and affordability. Our innovation and commitment to great sound is why so many of our products are top sellers, and why our gear has legions of enthusiastic devotees.

Okay, that sounded a little like a toot. But the point is, we make great stuff and we’re proud. And we’re really proud of our MR Series. Sure, there are lots of other affordable so-called studio monitors out there, but they just don’t cut it when compared to our MR Series—and they aren’t backed by our years of experience. Thanks to our hardworking and knowledgeable audio experts, we’ve once again set a whole new standard. Simply put, our MR5 and MR8 Monitors sound and perform better than anything else in their class…. But with the Mackie name, what else would you expect? Go hear the difference for yourself at a dealer today.

  • Studio monitor with true Active design
  • Precision Class A/B amplifiers with Active protection circuits: 100W for LF / 50W for HF
  • HF and LF acoustic controls for room correction
  • Balanced XLR, TRS and unbalanced RCA inputs
  • Ultra-low distortion 8-inch steel frame LF transducer
  • Waveguide loaded 1-inch high-resolution HF transducer
  • Minimum-diffraction molded baffle for smooth, wide sweet zone
  • Magnetically shielded for safe placement near computer/video monitor
  • Precisely tuned for working interchangeably with other MR units

Thanks to its sophisticated design, our 8-inch MR8 Mackie Reference Monitor delivers superior sound with impeccable clarity?at an unbelievable price.


Thursday, December 22, 2011

Mackie 1402VLZ Pro And VLZ3 Mixer Bag

Mackie 1402VLZ Pro And VLZ3 Mixer Bag Review



Mackie 1402VLZ Pro And VLZ3 Mixer Bag Feature

  • Foam padded mixer tote
  • Large front zippered pocket with a zipper slip pocket on front
Carry and protect your VLZ Pro or VLZ3 Mackie mixer with this high impact tote bag. The high-density rigid internal foam offers drop protection for your Mackie mixer mixer. Complete with embroidered Mackie logo on elegant black 1500 Denier nylon, padded shoulder strap and sides, and heavy-duty zippers.


Wednesday, December 21, 2011

Mackie 802-VLZ3 8-Ch. Compact Recording/SR Mixer

Mackie 802-VLZ3 8-Ch. Compact Recording/SR Mixer Review



Mackie 802-VLZ3 8-Ch. Compact Recording/SR Mixer Feature

  • 8-channel mixer featuring Mackie VLZ3's signature low noise, high-headroom design
  • 3 studio-grade XDR2 Extended Dynamic Range mic preamps
  • 3-Band Active EQ
  • Aux send, level, pan and PFL solo on each channel
  • Stereo Return for connecting effects processor or other stereo source
Low input count? High standards? We have the mixer for you—the 8-channel 802-VLZ3. A professional compact mixer designed just to fit your needs, as well as your workspace, the 802-VLZ3 packs renowned VLZ3 quality into a tight, sleek package. Don’t let the small size fool you—the 802-VLZ3 is all pro, and all VLZ3. It boasts the same signature VLZ3 high headroom / low noise design that makes others in the series prized in studios and stages worldwide, including premium XDR2 preamps, an ultra-musical EQ and modern summing bus architecture. Ideal for home studio and on-the-go applications, the 802-VLZ3 makes premium mixing capabilities available for setups where space, and money, are tight. It’s all the mixer you need, in a footprint that fits just about anywhere, at a price that fits your budget.

XDR2 preamps: Extended Dynamic Range=Extended Sonic Possibilities
XDR2 Among the features that have earned the VLZ3 mixers their stellar reputation are the XDR2 "Extended Dynamic Range" mic preamps. That’s because serious amounts of time and energy went into their design, and the result is phenomenal. You simply won’t find preamps this good on any other mixer in this price range. The XDR2 preamps deliver pure, clean studio-grade sound—the kind of quality you’d expect to find in pricey boutique mic pres. They have an incredibly wide frequency range, especially in the low end, and even at extremely high gain settings. They offer incredibly low noise, amazing RFI rejection, and with 60dB of available gain per channel, the 802-VLZ3 can handle inputs ranging from a whisper to a scream. With the superior sound of the 802-VLZ3’s three XDR2 preamps, rest assured you will always get optimum performance out of your professional ribbon, dynamic, and condenser mics. Read more.

Super-Musical EQ for Super Tweaking Latitude
EQ KnobsThe 802-VLZ3’s ultra-musical 3-band Active EQ provides precise control over the full frequency spectrum, giving you ultimate sound shaping latitude. We invested tremendous resources into optimizing the center frequencies of our EQs, and improved the interaction of the separate EQ bands, so your tracks can be molded and tweaked for just the right result. Low shelving at 80Hz, mid peaking at 2.5kHz and high shelving at 12kHz mean you can quickly and effectively sculpt your tone for the ultimate in punch, fullness, and brilliance—and with up to 15dB boost/cut capability per band, you get loads of room to move…and experiment. There’s also a 100Hz low cut/high pass switch for each mic input, so you can keep the muddiness out of your sound—and give lows that extra punch if used in conjunction with the Low EQ. Read more

Fully pro, fully featured
A completely pro mini-desk, the 802-VLZ3 delivers a comprehensive set of mission-critical mixing tools. Five full channel strips let you easily get your hands on your mix, while bright 12-segment stereo meters allow for ultra-accurate metering. The dedicated Stereo Return channel lets you connect external components, such as effects units or mp3 players, so you can incorporate your favorite sounds or prerecorded material into your tracks. You also get Hi Z inputs on channels 1 and 2 for recording instruments such as electric guitar and basses direct—no external gear required—and phantom power is provided for your studio condenser mics. The PFL solo function lets you easily set your gain to perfect levels, and high pass filters allow you to cut low frequency rumble—100Hz and below—on channels 1 to 3. The 802-VLZ3 also gives you essential engineering features including separate control room volume and phones knobs. And thanks to our clever engineers, the "mute" button actually serves a dual purpose— signals from muted channels are secretly routed to the Alt 3-4 outputs and also into the Control Room section, ideal for creating submixes, previewing channels, or creating a "mix minus" for broadcast applications.

Ultra-compact, sleek, rugged chassis
802VLZ3 ProfileNow you can have your pro mixer, and fit it in your workspace, too. The 802-VLZ3 features a tight, low-profile design that fits the most modest—or congested—of areas perfectly. Like all VLZ3 mixers, the 802-VLZ3 is built like a tank, too. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors’ flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs ‘ride’ just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. And not only is the 802-VLZ3 tough, but it can be flexibly positioned, thanks to a bottom panel that lets you easily mount an optional mic stand adapter with just a few screws. Attach your 802-VLZ3 to a mic stand, and you can adjust its height and angle to suit your unique—or weird—work style.

The "V" stands for Versatility
Okay, not really, but the 802-VLZ3 is just that—versatile. With its pro features and small footprint, it’s ideal for a variety of applications, including home and project studio recording, sound reinforcement, multimedia projects, field mixing, broadcast use, and post-production work. (Wanna see how you can put it all together? Check out our hookup guide.) And the included Tracktion 3 Project Bundle music production software makes it that much easier to get right to work, and get inspired. Boot up T3, connect the VLZ3 to your computer’s sound card, and start recording straight away with a host of creativity-inducing loops, samples, and plug-ins.

Less Really Is More
The 802-VLZ3 gives new meaning to the old adage, less is more. While there are other under-12-channel mixers out in the world these days, none provide the performance or sound quality of the 802-VLZ3. Thanks to its ultra-compact, pro design, you get the low input count you want, the extra space you need, and the quality you deserve—all at an unbelievably low price. Put simply, the 802-VLZ3 is the go-anywhere, fit-anywhere professional mixer, delivering superior sound quality—and unbeatable value.

Features

  • Ultra-compact 8-channel mixer featuring Mackie VLZ3’s signature low noise, high-headroom design
  • 3 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
    • Ultra-wide 60dB gain range
    • 130dB dynamic range
    • +22dBu line input handling
    • Extended low frequency response
    • Distortion under 0.0007% (20Hz - 20kHz)
    • Phantom power for studio condenser mics
  • 8 high-headroom line inputs
  • Advanced DC pulse transformer RF rejection
  • Aux send, level, pan and PFL solo on each channel
  • Selectable Instrument inputs on first two channels – no DI box needed
  • Stereo Return for connecting effects processor or other stereo source
  • 3-Band Active EQ (80Hz, 2.5kHz, 12kHz)
  • 18dB/oct. 100Hz Lo-Cut filter on Mic input channels
  • ALT 3/4 stereo bus for added versatility
  • Control Room/Phones source matrix
  • High-resolution 12-segment stereo meters
  • Sealed rotary controls to resist dust and grime
  • Sleek, rugged steel chassis
  • Includes Tracktion 3 Project Bundle, music production software for Mac/PC

The ultra-compact 802-VLZ3 Premium 8-Channel Mic/Line Mixer builds on the legacy of Mackie?s top-selling VLZ mixers. Three studio-grade XDR2? (Extended Dynamic Range) mic preamps and proprietary 3-band Active EQ give the 802-VLZ3 its high-headroom, low-noise functionality. Its super-sleek, extra-rugged steel chassis is packed with an extensive feature set, including 5 full channel strips, a dedicated Stereo Return channel, a comprehensive control room section, phantom power for condenser mics, and bright 12-segment stereo meters. The 802-VLZ3 delivers the same phenomenal sound and performance that makes the makes the 1604-VLZ3 prized in studios and on stages around the globe.


Tuesday, December 20, 2011

Mackie HR824mk2 8-inch 2-Way Studio Monitor (Single Speaker)

Mackie HR824mk2 8-inch 2-Way Studio Monitor (Single Speaker) Review



Mackie HR824mk2 8-inch 2-Way Studio Monitor (Single Speaker) Feature

  • High resolution Active studio reference monitor
  • Ultra-linear frequency response for accurate mix translation
  • 8.75-inch high-precision, low-distortion LF transducer
  • 1-inch titanium dome, ferrofluid cooled tweeter
  • Optimized Waveguide for wide, even sweet zone
Our HR824mk2 and HR624mk2 high-resolution Active studio reference monitors represent the evolution of revolutionary thinking. Our engineers, joined by audio gurus from EAW, worked hard to conceive of a way to preserve the all-important character of the original HR, while delivering performance—as well as appearance—that’s better than ever. And even moreso than the original HR824 and HR624, which were designed apart from each other, the HR824mk2 and HR624mk2 are part of the same family, true siblings in design and sound. Sharing the same engineering, they are created to work together, whether in surround systems, or as part of complementary monitoring setups in different sized rooms


Monday, December 19, 2011

Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software

Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software Review



Mackie Onyx Blackbird Premium 16x16 FireWire Recording Interface with Tracktion 3 Music Production Software Feature

  • Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range
  • High-headroom design with ultra-low noise and distortion
  • High-end Cirrus Logic® AD/DA converters with 114dB dynamic range (A-weighted)
  • Includes Tracktion 3(TM) Music Production Software
  • Includes powerful Blackbird Control DSP Matrix Mixer o Route any input to any output o Zero-latency tracking of all inputs o Quickly set up independent mixes for headphones and more
  • High-end Cirrus Logic AD/DA converters with 114dB dynamic range (A-weighted)
  • Includes powerful Blackbird Control DSP Matrix Mixer o Route any input to any output
Mackie's Onyx Blackbird Premium 16x16 FireWire Recording Interface delivers industry-leading recording quality via eight boutique-quality Onyx preamps and high-end 24-bit/96kHz conversion in a sleek rackmount design. True analog hardware monitoring, in both mono and stereo, provide simple zero-latency recording, while onboard word clock and 8x8 ADAT I/O allow for ultimate expandability. Two front panel Super Channels provide quick access to crucial recording tools and the powerful Blackbird Control DSP Matrix Mixer allows for quick mix creation and routing of any input to any output. Plus, since it works as a standalone 8-channel preamp rack, Blackbird offers a single box solution ready for integration into your studio or digital live setup. Mackie Onyx Blackbird Firewire Audio Interface Features Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range High-headroom design with ultra-low noise and distortion Professional 16x16 24-bit/96kHz recording/playback Flexible FireWire routing 8x8 ADAT I/O for ultimate expandability Onboard word clock I/O for studio and live integration Acclaimed JetPLL jitter elimination technology High-end Cirrus Logic AD/DA converters with 114dB dynamic range (A-weighted) Compatible with most major DAWs Logic SONAR Cubase Ableton Live Final Cut Pro & 160 and more Powerful and flexible Super Channels Front panel connectivity for easy access True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording 80Hz low-cut switches


Sunday, December 18, 2011

Mackie TH12A Thump Active Main Speakers with 2 FREE Samson LS2 Speaker Stands and 2 FREE 20' XLR Cables

Mackie TH12A Thump Active Main Speakers with 2 FREE Samson LS2 Speaker Stands and 2 FREE 20' XLR Cables Review



Mackie TH12A Thump Active Main Speakers with 2 FREE Samson LS2 Speaker Stands and 2 FREE 20' XLR Cables Feature

  • Includes 2 Samson LS2 Speaker Stands
  • 2 FREE Strukture 20' XLR Cables
  • 400W of ultra-efficient Fast Recovery amplification
  • LF 300W peak power (Class-D)
  • HF 100W peak power (Class A/B)
The Mackie Thump Series Powered Loudspeakers deliver deep low-end and real power in a lightweight design that is extremely portable. Class-D Fast Recovery amplification pushes unmatched power to the high-frequency compression driver and bass-pounding high-output woofer. Plus, Mackie Active processing, including a precision crossover and driver time-alignment provides total optimization for maximum system efficiency. Versatile by design, Thump loudspeakers feature a user-adjustable 3-band EQ for tone control and, since they can be pole-mounted or used as a wedge, the Thump Series loudspeakers represent the best value available for a complete stage solution.


Saturday, December 17, 2011

Mackie PPM1012 12-Channel, 1600-Watt Powered Desktop Mixer

Mackie PPM1012 12-Channel, 1600-Watt Powered Desktop Mixer Review



Mackie PPM1012 12-Channel, 1600-Watt Powered Desktop Mixer Feature

  • Full-featured 12-Channel, 1600W Powered Desktop Mixer with 4-segment LEDs and solo PFL on every channel
  • 1600W Mackie designed Class-D, Fast Recovery(TM) power amplifiers
  • 32-bit dual RMFX+(TM) processor featuring 24 "Gig Ready", useable reverbs, choruses, and tap delay for live applications
  • 8 mic/line mono inputs and 2 stereo line inputs for flexible connectivity
  • Mackie high-headroom, low-noise mic preamps with RF rejection for pristine signal
  • Full-featured 12-Channel, 1600W Powered Desktop Mixer with 4-segment LEDs and solo PFL on every channel^1600W Mackie designed Class-D, Fast Recovery(TM) power amplifiers^32-bit dual RMFX+(TM) processor featuring 24 "Gig Ready", useable reverbs, choruses, and tap delay for live applications^8 mic/line mono inputs and 2 stereo line inputs for flexible connectivity^Mackie high-headroom, low-noise mic preamps with RF rejection for pristine signal
  • 12-Channel, 1600W Powered Desktop Mixer with 4-segment LEDs and solo PFL on every channel, 1600W Mackie designed
  • Class-D, Fast Recovery power amplifiers^32-bit dual RMFX+ processor featuring 24 Gig Ready, useable reverbs
  • Choruses, and tap delay for live applications^8 mic/line mono inputs and 2 stereo line inputs for flexible connectivity
Ultra-light and rack-mountable, the Mackie PPM1012 professional powered desktop mixer features two ridiculously robust power amps for mains and/or monitors (800W + 800W). With 1600 watts of system power, this mixer provides all the raw power that you need. Things can get pretty intense out there, and your gear needs to be able keep up the pace. We custom designed the PPM1012 with Class-D amps, which are cool-running and boast maximum efficiency, keeping your sound pumping until they start kicking people out. We had to include Mackie’s proven Fast Recovery circuitry, eliminating the risk of pesky amp latching. The result is a distortion free mix even when pushing peak levels. The built-in limiter can go toe-to-toe with the most popular outboard stereo limiters used in live sound today, protecting your speakers from damage. The limiter’s attack and release times are specifically selected to address full-bandwidth music and will not muddy things up by adding any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously powerful. You can push the PPM608 to its maximum output, distortion free!


Friday, December 16, 2011

Mackie Onyx 1640i 16-channel 4-bus Premium 16x16 FireWire Recording Mixer

Mackie Onyx 1640i 16-channel 4-bus Premium 16x16 FireWire Recording Mixer Review



Mackie Onyx 1640i 16-channel 4-bus Premium 16x16 FireWire Recording Mixer Feature

  • 16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O
  • Compatible with Pro Tools M-Powered(TM) and all major DAW software
  • 16 Onyx boutique quality mic preamps
  • 4-band Perkins EQ with sweepable mids on all channels
  • Full 16x16 FireWire channel streaming for ultimate DAW integration
The Flagship ONYXi Mixer Compatible with All DAWs including Pro Tools M-Powered 8! The Mackie Onyx 1640i Firewire recording mixer combines the benefits of a powerful computer interface with the tactile, hands-on control of a premium analog mixer. Equipped with 16 premium precision engineered studio grade Onyx microphone preamps, the Onyx 1640i is great for live sound reinforcement or studio recording, all in a durable road-worthy package. Channels 1 and 2 feature high impedance instrument/line level inputs so you can connect an acoustic, electric or bass guitar directly into the mixer eliminating the need for an external direct box. Mackie Onyx 1640i Firewire Mixer Features 16-channel premium analog mixer with integrated 24-bit/96kHz FireWire I/O Includes Tracktion 3 Music Production Software for Mac or PC Qualified by Mackie for use with all major DAWs, including: Pro Tools 9 Pro Tools M-Powered 8 (requires driver download at mackie) Logic SONAR Cubase Ableton Live Final Cut Pro 16 Onyx boutique quality microphone preamps 4-band Perkins EQ with sweepable mids on all channels Full 16x16 FireWire channel streaming for ultimate DAW integration Flexible FireWire routing including aux sends and groups Pre/post EQ assignment for all channels 6 aux sends with pre/post assignment and solo Smooth 60mm channel and master faders Built-in DI on first two channels for direct connection of guitars, basses, etc. Individual 48 volt phantom power switches on all microphone inputs 4-segment metering on every channel 4-bus architecture for flexible sub-grouping of channels Talkback section for use with internal or external microphone Planet-Earth switching power supply for worldwide use Rotating I/O pod for desktop or rackmount operation - rack ears included Recording and Mixing Send all channels, aux sends or the master L/R straight to your computer for recording. Pre/post EQ taps on every channel allow you to integrate our renowned Perkins EQ into the record path. Plus, returns


Tuesday, December 13, 2011

Mackie 1642-VLZ3 16-Ch. Compact Recording/SR Mixer

Mackie 1642-VLZ3 16-Ch. Compact Recording/SR Mixer Review



Mackie 1642-VLZ3 16-Ch. Compact Recording/SR Mixer Feature

  • New ultra-low noise VLZ3 design with highest possible headroom
  • 10 Studio-grade XDR2? Extended Dynamic Range mic preamps with - Ultra-wide 60dB gain range, 130dB dynamic range
  • 16 High-headroom line inputs (4 stereo pairs, 8 mono)
  • Advanced DC pulse transformer RF rejection
  • 60mm Long-wearing logarithmic-taper faders
With its sleek new look, upgraded preamps and EQ circuitry, the new Mackie 1642-VLZ3 redefines perfection. With the same features and functionality of its predecessor, the re-engineered Mackie 1642-VLZ3 has even greater headroom than the original. We could have stopped right then and there, but since we’re obsessed with perfection, we redesigned the Mix Bus and made significant enhancements to the EQs, giving the 1642-VLZ3 a more intuitive and musical feel.

The 1642-VLZ3’s three unique channel strip formats allow you to input and shape any kind of signal, including mic, line, and stereo instruments. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1642-VLZ3. You’ll think it’s perfect, too.

Vastly Superior XDR2 Mic Preamps
Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1642-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.

Three Kinds of Channel Strips
1. Channels 1–8 are essentially the same as those on our 1604-VLZ3, with mono line-level input and our ultra-high-quality XDR2 mic preamps. These VLZ (Very Low Impedance) mic pres offer superior sound quality and the best RFI rejection of any compact mixer on the market.

2. Channels 9/10 and 11/12 (two physical channel strips) each provide a stereo pair of line-level inputs and a mono XDR2 mic preamp.

3. Channels 13/14 and 15/16 (also in two physical channel strips) each provide a stereo pair of line-level inputs only, with fixed 4-band equalization at points that are specifically designed for line-level inputs, such as keyboards, sound modules, etc.

Two Unique Equalization Formats
High-quality equalization is a must for any good mixer, that's why we didn't cut any corners on the 1642-VLZ3. Channels 1-8 feature the same world-renowned 3-band Active equalization that you'll find on the 1604-VLZ3. Tremendous resources went into optimizing the center points of these mic channel equalizers, with the Lows at 80Hz and the Highs at 12kHz. Midrange compensation is handled by a peaking control with a two-octave variable frequency center. This means the Mids can be swept from 100Hz all the way up to 8kHz—with a boost or cut of 15dB.

We designed a fixed 4-band, "musically-correct" EQ for the remaining channels, which are primarily intended for line-level signals, such as keyboards, sound modules, and drum machines. This all adds up to practical, useful equalization, with the tone-shaping facility to actually improve the musical nature of the original signal.

Professional Features
The Mackie 1642-VLZ3 mixer is packed with premium features on every channel: 75Hz Low-Cut filters, four Aux Sends, inserts, phantom power, constant-loudness Pan controls, OL (overload) and signal present LEDs, sub and main mix assign switches, and assignable AFL/PFL Solo switch. And since you can never have too many output options, we also provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier, channels 1-8 direct outs, and balanced XLR and balanced/unbalanced TRS outputs.

Built Mackie Tough
All VLZ3 mixers are built tough. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors' flimsy boxes into so much scrap. And instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain relief at all critical points. By design, our control knobs "ride" just above the surface of the chassis, so if something heavy falls onto the mixer, the impact is transferred from the knobs to the steel chassis—not to the potentiometers or circuit board. Finally, to eliminate potential circuit board damage, we use a thick, horizontally mounted fiberglass PC board, braced with a shock-absorbing support structure. Nobody builds ’em tougher than Mackie!

Superior Sound Quality
Above all, the 1642-VLZ3 has superior sound quality, wide dynamic range, tons of headroom and extremely low noise, allowing you to create high-quality professional output. Whether you're tracking in the project studio or laying down the truth in front of a live audience, you can always count on the Mackie 1642-VLZ3 to provide superb sound quality and extreme versatility. Audition a "perfecter" mixer at your Mackie dealer today.

Features

  • New ultra-low noise VLZ3 design with highest possible headroom
  • 10 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
    • Ultra-wide 60dB gain range
    • 130dB dynamic range
    • +22dBu line input handling
    • Extended low frequency response
    • Distortion under 0.0007% THD (20Hz - 20kHz)
    • Phantom power for studio condenser mics
  • 16 high-headroom line inputs (4 stereo pairs, 8 mono)
  • Advanced DC pulse transformer RF rejection
  • 60mm long-wearing logarithmic-taper faders
  • 4 Aux sends, level, pan, -20dB/Solo and OL/Mute LEDs on each channel
  • 4 stereo Aux returns, 8 Direct outs, 4 stereo Group/Bus outputs
  • 3-band Active EQ with sweepable midrange on mono channels
  • 4-band Active EQ on stereo channels
  • 18dB/oct. 75Hz Lo-Cut filter on mic channels
  • Control Room/Phones multi-input source matrix with separate level controls
  • Balanced 1/4" inputs and outputs (except inserts)
  • Rack-mountable design using optional rack ears
  • Sealed rotary controls to resist dust and grime
  • New Multi-Voltage power supply for worldwide use
  • Rugged steel chassis

New from the people who created the world?s best-selling compact mixer line, the Mackie 1642-VLZ3 Premium 16-Channel/4-Bus Compact Mixer with premium XDR2? mic preamps and a rich feature set. It?s ideal for live sound or project and recording studios.


CERTAIN CONTENT THAT APPEARS ON THIS SITE COMES FROM AMAZON SERVICES LLC.
THIS CONTENT IS PROVIDED AS IS AND IS SUBJECT TO CHANGE OR REMOVAL AT ANY TIME.
Mackie Online Stores This site is a participant in the Amazon Services LLC Associates Program, an affiliate
advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com.
Amazon, the Amazon logo, Endless, and the Endless logo are trademarks of Amazon.com, Inc. or its affiliates.